( KOVA Studio Partner · ongoing collaboration )
A standing team.
Not one-off jobs.
A brand does not need someone to administer its accounts or deliver a bundle of random posts. It needs an independent producer's team: we set the direction, shoot our own material and run the channels we agree on. One well-planned production day feeds a whole month of publishing.
One package · three slots · billed month to month, no annual contract · pricing after a conversation
Led personally by the director · our own studio H241, 290 m² · film, photography and short formats from one shoot · based in Wrocław, working across Poland
You don't need more posts.
You need a rhythm where material exists before it is needed — not in the week when something has to go out. Most brands have it the other way round: plenty of content made from nothing, and nothing anyone remembers.
Studio Partner combines three things usually split between three companies: narrative direction, production and publishing. You open the access — to people, to a place, to a product. We are accountable for what ends up on screen.
The brand's format library grows month after month and stays with you. This is a collaboration that pays off over years — which is exactly why we don't lock it with an annual contract. You stay because you see the material, not because you signed.
One package. Three slots.
We take three brands at a time — as many as the director can personally run. When the slots are full we say so, put you on the list and tell you honestly when one frees up.
A monthly strategy and editorial session
Creative direction for the coming period and a publishing calendar. Everyone knows what gets made and why, before anyone picks up a camera.
One planned production day a month
A full shoot day at your place — factory floor, workshop, office, shop — or in our own studio H241 at Grabiszyńska 241, 290 m².
A hero film, vertical cuts, photography
One shoot day yields a hero film, a series of short vertical cuts, portraits of your people and product details — all in one visual language.
Publishing what we agree on
We run the agreed channels: material goes out on the calendar, not when someone remembers it exists.
A format library that stays with you
Every month adds to the brand's archive. After a year you own material no single budget could recreate.
Billed month to month
No annual contract, no cancellation penalties, paid monthly in advance. Leave whenever you want — the slot goes back into the pool.
Tak wygląda nasz obraz.
Showreel i pełny pilot serialu dokumentalnego — ten sam warsztat, którym robimy projekty dla marek.
Kadry z planu.
Frames from KOVA productions. This is what a brand library looks like after a year of it.
Where the material goes — and who sees it.
One shoot day produces a dozen different things with different jobs to do. It only works when each of them knows where it is going and who is meant to see it. That is what the publishing calendar is built around — not a number of posts.
Instagram, TikTok, LinkedIn
Short formats published steadily through the month, with one hero film as the centre of gravity.
Kto to ogląda: followers plus cold reach from the algorithm — this audience grows on consistency, never on bursts.
Website, proposals, a rep's email
Product and process material placed exactly where the client makes the decision.
Kto to ogląda: people choosing a supplier right now — the smallest audience, the most valuable one.
Job ads and employer branding
Your people and your work shown all year, not only when hands start running short.
Kto to ogląda: candidates, who today check a company on social media before they send a CV.
Team, board, partners
Material from the floor, watched inside, makes the work visible. It usually comes back as loyalty, not just image.
Kto to ogląda: your own team, owners, trade partners and financing institutions.
What remains after a year
A growing brand archive: people, the plant, products, change. Anniversaries, presentations and campaigns come out of it without a new shoot.
Kto to ogląda: the future audience — the one that will watch this in two years, when those frames can no longer be taken.
If you want to buy reach
We prepare material for ad formats. We do not run campaigns and do not handle media budgets.
Kto to ogląda: bought, profiled audiences — it works only when the material holds up with the sound off.
Wybór obiegów ustalamy przed zdjęciami, nie po. To on decyduje o długościach, kadrowaniu i o tym, ile wersji powstaje z jednego dnia.
Mamy własne studio.
H241 · Grabiszyńska 241, Wrocław · 290 m²
We shoot at your place or at H241 — KOVA's own studio at Grabiszyńska 241 in Wrocław, 290 m². The studio is part of the deal: products, team portraits and sets built from scratch happen here, without hunting for and paying a rental hall every single time.
Z kim pracowaliśmy.
Marki z doświadczenia zespołu
AmRest/KFC · LOTTO · Diesel · Michelin · RocketJobs.pl · Gepetto · IML Jeans · Allegro
Partnerzy naszych własnych produkcji
RCR Cars · HT Trucks & Parts · Castex · Go Moto · Puszman · Atlas Ward · IRIX
The rhythm of a month.
The same cycle every month — that is precisely why it works.
Strategy and editorial session
Direction for the coming month and the publishing calendar. Everyone knows what gets made and why.
Production day
One planned day — at your place or at H241. Film and photography run in parallel.
One look, many formats
Hero film, short vertical cuts, photographs, portraits and product details — from one shoot, in one visual language.
Publishing
Editing of current material and publishing what we agreed, on the calendar.
Review and the next month
What worked, what we don't repeat, what we shoot next. The library grows, the plan closes.
Dla kogo.
- A brand where something genuinely happens every month — a process, people, a product.
- A manufacturer, an industrial company, a family business, a place with a character of its own.
- Anyone who wants their own images rather than a stock version of themselves.
- Anyone who can let a camera in where the actual work happens.
What is not included.
Quoted separately — the scope should be honest, not conveniently elastic.
- Paid media and running advertising campaigns.
- Daily community management and influencer work.
- Extra shoot days and travel beyond the agreed area.
- Advanced 3D and VFX.
- A full brand film — Brand Film is quoted separately.
- Additional language versions.
Czym to popieramy.
Podkarpacie Heritage
Twelve films for a public institution — proof that a planned shoot produces a series, not a single asset.
Lucky 8
Eight protagonists, commissioned by a regional authority — working with people who are not actors and do not perform.
The Unusual Manhattan
A 79-minute feature documentary: MDAG, TVP Kultura, DAFilms. The same team runs the ongoing work.
Not ready to commit monthly?
Start with KOVA Pilot — a one-off test film. One shoot day, a hero film, short vertical cuts and a set of photographs. You see how we work and how the material performs in your channels before you take a slot.
Pytania, które padają.
How long do we commit for?
One month. We bill month to month, paid in advance, with no annual contract and no cancellation penalties. You stay as long as the material does its job.
Why only three slots?
Because the director runs every collaboration personally, rather than an account manager. A fourth brand would mean somebody gets less attention — we would rather tell you there is a queue.
What if all slots are taken?
We put you on the list and tell you honestly when one will free up. In the meantime you can do a Pilot — that runs outside the slots.
Can we test how you work first?
Yes. That is what KOVA Pilot is for — a one-off test film. If the material works, you take a slot.
Who runs it?
Filip Janerka — director and producer. Your first conversation is with him, and he runs the collaboration; there is no account manager in between.
Who owns the material?
You do, for use in the brand's own channels, with no time limit. Extensions — television, paid campaigns beyond the agreed scope, resale — are agreed separately in the contract.
Where do you shoot?
At your place — plant, office, workshop, shop — or at our studio H241 in Wrocław, 290 m². We are based in Wrocław and work across Poland.
What does it cost?
We give the price in conversation, once it is clear how much we actually shoot and which channels we run. We do not publish a rate card, because the scope looks different every time.
Does something happen at your company every month that nobody ever sees?
Let's take fifteen minutes to work out whether it is worth turning into a steady rhythm — and whether we have a slot open right now.
You speak with Filip Janerka · director and producer · we reply the same working day